custom knife

Getting the hang of the etching. This is the latest, the Frontier Steak Knife.

Radharc — Sat, 04 Oct 2008 12:05:07 -0500

1095, hardened to HRC 60. Curly Eastern Maple scales, Nickel silver pins. 4-3/8" blade, 8-1/2" OAL.

Some progress pics. Blade ground:

For Gimperfi. Some fun with steel, a hamon, and heat treating

Radharc — Tue, 26 Aug 2008 17:16:31 -0500

Hey Gimperfi,

I mentioned some of the fun you can have with differential hardening, so thought I'd share some pics. This started out as a dull old Nicholson file. I annealed it, then ground it, packed the spine with Satanite refractory clay, and hardened it, creating a differential temper (soft at the spine, super hard at the edge), as well as a hamon, the traditional Japanese visible hardening line. Thought maybe the pics would inspire you to upgrade your rig and get into heat treating. The clay coating:

WIP: Tactical Sgian Dubh

Radharc — Sun, 17 Aug 2008 07:00:40 -0500

Ok, so I accepted a commission. Navy guy wants a high performance, rugged,
'tactical' Sgian Dubh, easily concealed, for close quarters defense. I think
he thinks he's a SEAL. Heck, maybe he is. Anyways, I ground, drilled,
hardened, and polished the blade, start to finish yesterday, 5 hours. 440C.
Going to have brass bolsters and antler scales. Couple pics...

Michael

Knife photography (experience, some tips, etc)

Radharc — Sat, 16 Aug 2008 09:13:16 -0500

Hey gang,

From time to time I have people ask me if I do my own photography. Yes, all of it. Then they ask "How do you get such nice pics?". This is a brief rundown with some tips and such that I posted on another forum, and thought there might be some interest here. So, here we go:

I do all of the photography of my knives myself. My current camera is a Canon Powershot A95. 5MP digital. Here are the basic guidelines for doing pics, in no particular order:

Lighting. Generally, if at all possible use natural lighting, the best you can obtain. That may mean taking your pics at a certain time of day, or on a certain day, etc. Cloudy is nice. I also hold up bright white sheets at different places around the subject (knife) to bounce light around and minimize shadows. Alternately, sometimes I place my hand, fingers spread, or cardboard over the subject, to scatter light. Or even something opaque and transparent, to diffuse it.

Background. Select a background as solid as you can, or uniform, at the least, something that does not distract from your subject.

Get as close as you can to your subject, fill the viewfinder with it. Digital cameras focus less well the more you zoom, even an optical zoom. Zoom as little as possible. Speaking of viewfinder, I don't use the optical at all, strictly the LCD.

Use a tripod AND the longest available timer on the camera. I have 3 tripods: one is a small tabletop, one a large pro model, and one that I made myself, years ago. Get it as perfectly framed in the viewfinder as you can, ready to go, then press the shutter release and get your hands away from it. That way, the camera will settle and be moving the least amount possible when the shutter snaps.

I try to avoid using the flash, generally even shut it off. I also use the Macro autofocus function. Speaking of which, I allow the camera to automatically select everything. It has manual controls for everything, but I pretty much go full auto.

That's basic tech stuff, the rest is judgment and experience. One thing, some of you may know, is that you have to take thousands of pics, to get good. I've been doing amateur photography since I was a child, using a little Instamatic. Been through a dozen cameras since. The beauty of digital is that you can snap pics, then upload them immediately, see if you nailed it, and if not, go right back and take more. No waiting for them to be developed, etc. Also, as many pics as I take (deleting probably 2/3 of them), I save thousands in film developing by using digital. Last thing is you need decent photo editor software and you need to be proficient with it.

So, that's it in a nutshell. Once you have the tech stuff down, then judgment plays a large role. I think about, when I'm photographing, what precisely it is that I'm trying to communicate. You know, a general overview, versus a specific detail, etc. When someone looks at my pics, what are they seeing? Is it what I'm trying to show? Etc.

Walnut Ulu, my latest creation

Radharc — Mon, 11 Aug 2008 18:54:11 -0500

Hey all,

My latest, the Walnut Ulu:

http://www.radharcknives.com/Walnut_Ulu.htm

Comments welcome.

Michael

Recently finished this commission for a woman in Canada

Radharc — Sat, 10 May 2008 10:33:56 -0500

Recently finished this set of custom Sgian Dubhs, they're made to match the Mitchell tartan.

Strange Markets for Sword Makers

webminster — Sun, 03 Dec 2006 15:20:18 -0600

Strange places to find markets for your metal art. Here's a case where a Zena game player found that he desired to have a replica made of the Zena Masters sword. It cost $3,300 and a one year wait for the user to have Castle Keep make the sword.

Link to original article:
NintendoWorldReport - News Article: Master Sword Forged

Technorati Tags: sword, Zena