Resume for Bally Boris 3421 Bigelow Blvd, Pittsburgh, PA 15213 412/682-8118 fax: 412/682-7244 email: bad4borr@aol.com Awards: International Design Resource Awards, and exhibition, Seattle, Honorable Mention, 1996 Pennsylvania Council on the Arts, Fellowship in Crafts, Grant Award, 1993 Pattern: New Form/ New Function, Arrowmont School Arts and Crafts, Juror Award, 1993 Copper 3, National Exhibition, Old Pueblo Museum , Tucson, Arizona, Honorable Mention, 1992 Silver: New Forms and Expressions ll, Rosanne Raab and Fortunoff Silver, Second Place Award, 1990 Massachusetts Arts Fellowship Program, Artists Foundation, Crafts: Metals, Finalist Award, 1989 Permanent Collections: Victoria and Albert Museum, London American Crafts Museum, New York City Renwick Gallery, Smithsonian Institution, Washington, DC Mint Museum of Art, Charlotte Charles A. Wustum Museum Of Fine Arts, Racine Indiana University Art Museum, Bloomington Arrowmont School of Arts & Crafts, Gatlinburgh The Woodturning Center, Philadelphia Goldschmiedgesellschaft, Törsten Bröhan, Hanau/Germany Selected Biography: The Encyclopedia of Jewellery Making Techniques, by Jinks McGrath, p 152, 1995 The Wall Street Journal, "In Old Street Signs, This Sculptor Sees Art," by Barbara Jepson, Sept 27, 1994 The New Jewelry: Trends and Traditions, Revised Edition, by Peter Dormer and Ralph Turner, Fall, 1994 One of a Kind-American Art Jewelry Today by Susan Grant Lewin, Fall, 1994 WIND: World Interior Design, Japan, Objects: Pittsburgh, by Yoshiko Ebihara, p 99, Winter, 1993 American Craft Magazine, "Multiples, a generous proposition," by Akiko Busch, p 30-35, Jan, 1993 "Silver Expression," by V. Geibel, p. 60-61, Nov, 1990 Metalsmith , "Urban (G)litter," by Lynne Brunelle, p 37, Winter, 1994 "Revolving Techniques: Clay, Glass, Metal , Wood" by Gail M. Brown, p 45, Fall, 1992 "Silver: New Forms and Expressions ll," by Janet Koplos, p 46-47, Spring, 1991 Münchner Merkur Zeitung, "Kontrastreich: Schmuckszene zeigt Experimentelles," photo: Caress, März 12, 1993 Ideas, Images, Imagemakers: Jewelry/Metalwork Survey 3, edited by David LaPlantz, p 19, 195, Nov, 1993 Metropolis, by Design: "Impliments To Dine For," by Elisabeth Hartman Cannell, p 29-33, Dec, 1992 Matter Magazine, "Metal," by Mary Frakes, GLM Publications, NYC, p 6, also cover photo, Jan, 1991 Contemporary Crafts for the Home, Featuring winners of American Crafts Awards, by Bill Kraus, 1990 Art New England, "Contemporary Artists Working in Jewelry," by Marc Mannheimer, p 37, Nov, 1990 Pronto magazine: U.S./Japan, "Portfolio" by Yoko Seki, p 40-41, July, 1990 Vogue magazine, "Live Wires," , by Tricia Parker, p 268, Feb, 1989 AXIS, Japan, "Overseas Frequency," by Steven Holt, p 15, issue 24, Summer, 1987 Solo/Duo Exhibitions: Joanne Rapp: The Hand and Spirit, Scottsdale, Arizona, April 1-30, 1996 "Structure/Geometry" Nancy Sachs Gallery, St. Louis, Missouri, March 8-April 12, 1996 The Works Gallery, Philadelphia, Pennsylvania, October 1-November 15, 1996 Morrison/Rink Precious Metals Gallery, Portland, Oregon, Nov 5- Jan3, 1993 Nancy Sachs Gallery, St.Louis, Missouri, Sept 18- Oct 16, 1992 Associated Artists of Pittsburgh Gallery, Pittsburgh, Pennsylvania, Mar14-April 12, 1992 International Exhibitions: Revelations: New Jewellery by Members of SNAG, Juried by Richard Mawdsley, Shipley Art Gallery, Gateshead, England, March, 1996 Recycle, Reuse, Recreate, and accompanying book, tours Africa, curator: Dorothy Spenser, 1994-1996 Challenge V: Intnational Lathe-Turned Objects, Juried by: Albert LeCoff, Michael Monroe, William Daley, Davira Taragin, 1994-1997 Schmuckszehne '93, Internationale Schmuckschau, Internationalen Handwerkmesse, München , Germany, 1993, curated by Susan Grant Lewin 10th Silbertriennale, International Competition, Goldschmiedehaus, Hanau, Germany, 1992 Jewelries / Epiphanies, Umprum Museum of Decorative Arts, Prague, Czechoslovakia,1991, Curators: Dan Jocz, Joe Wood, opened at The Artists Foundation, Boston, 1990 Jewels of the Nineties, Exhibition and Catalog, Hanau and Pforzheim Museums, Germany, 1989 Traveling Exhibitions: The Commemorative Cup, curator Rosanne Raab, National Ornamental Metals Museum, 1995-1996 Recycle, Reuse, Recreate, and accompanying catalog, tours Africa, curator: Dorothy Spencer, 1994-1996 Double Vision, curated by Tom Mann and Bob Ebendorf, opens at Gallery I/O, New Orleans, 1995-1996, travels to Wustum Museum, Racine, and Kemper Museum of Contemp Art & Design, Kansas City Op Art: Eyeglasses by Jewelers curated by Deb Stoner, Hoffman Gallery, Portland, Oregon, 1994 -1997 Sculptural Concerns,Contemporary American Metal Working , curated by Robert Schroeder, 1993-1997 1991/92 Fellowship Recipients Exhibition: Society for Contemp Crafts, Pittsburgh, Pennsylvania, 1994 Artisans In Silver, Society of American Silversmiths, National Ornamental Metal Museum, Memphis, 1994 Art That Works: The Decorative Arts of the Eighties, Crafted in America, 1990-1993. Curated by Lloyd E. Herman, 14 venues, Delaware Art Museum, Wilmington Studio Production: More Than One, curated by John Perreault, opened American Craft Museum, 1992-1994 Selected Exhibitions: One-of-a-Kind X One, Wetsman Collection, Detroit, Michigan, 1995 Bally/Darway, The Works Gallery, Philadelphia, Pennsylvania, 1995 Intimate Traditions: Three Contemporary Metalsmiths, The Carnegie Museum of Art, Pittsburgh, 1995 Contemporary Metalsmithing: American Masters, Donald Brecker Gallery, Miami Beach, Florida,1995 The Object Redux: Re-Used, Re-Newed, and Re-Invented, Wustum Museum of Art, Racine, Wisconsin, 1994 Design Biennial: Mirrors, The Parrish Art Museum, Southampton, New York, 1994 Translations: From mind to Hand, The Hewlett Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania, 1994 National Metals Invitational : Emily Davis Gallery, University of Akron, curator Christina DePaul, 1994 Contemporary Metalsmithing- Behind & Beyond the Bench, Craft Alliance, St. Louis, curator Joe Muench, 1994 Metallicious, Galeria Mesa, Mesa Art Center, Arizona, curated by Jeoffry Morris, 1993 From Our Vault to the Studio, Wustum Museum of Art, Racine, Wisconsin, 1993 Metal Vessels, Iowa State Univ Art Gallery, Ames, curated by Chuck Evans, 1993 Urban (G)Litter, Feature Artist, Aaron Faber Gallery, New York City, 1993 Vessels, Lane Community College, curated by Mary Lee Hu, Eugene, Oregon, 1993 Personal Views in Metalsmithing, Muckenthaler Cultural Ctr, Fullerton, California, curator, David LaPlantz, 1993 Metals Now 1992, Downey Museum of Art, Los Angeles, California, 1992 Raised and Forged Metal Vessels, curated by James Alexander, Sloss Furnaces, Birmingham, Alabama, 1991 On Scale, Bennett Siegel Gallery, SoHo, New York City, curated by Susan Grant Lewin, 1991 Endangered Archetypes, Archetype Gallery, SoHo, New York City, 1991 Metal Media, Sawtooth Center of Visual Design, Winston-Salem, North Carolina, 1990 1988: The World of Art Today, Milwaukee Museum of Art, Wisconsin, 1988 Pride of Placesetting, Parsons School of Design, New York City, curated by Steven Holt, 1988 Boris Bally and Doug Redmond, Archetype Gallery, New York City, 1987 Teaching: University of Akron, Ohio, Metalsmithing II, Adjunct Jewelry Instructor, 1995 Haystack Mountain School For Crafts, Deer Isle , Maine, Session 3: Metals Instructor, three weeks, July, 1994 Touchstone Center for Crafts, Farmington, PA, Metals, Instructor: Chains/Mechanisms Course, Aug, 1994 Pittsburgh Center For The Arts, Jewelry Instructor, 1990-1994 Carnegie Mellon University, Artist/Lecturer, Department of Art, Fall, 1993. Carnegie Mellon University, Adjunct Assistant Professor of Design, Fall 1989-Spring, 1991 Massachusetts College of Art, Advanced Metals Courses, Instructor, Summer, 1988 Lectures/ Workshops: San Diego State University, slide presentation and "Mechanisms Workshop," 1996 Penn State University, State College, PA, 3-day visiting artist/slide presentation, 1995 Touchstone Center for Crafts, Farmington, PA, Instructor, 1994 and 1995 Smithsonian Institution, Washington, DC, Jewelry Workshop Instructor with slide presentation, 1995 Haystack Montain School For Crafts, Deer Isle, Maine, Session 3: Metals Instructor, three weeks, 1994 South West Crafts Center, San Antonio, TX, "Gravity Casting Workshop," slide presentation, 1994 Maryland Institute, Baltimore, "Mechanisms In Jewelry," workshop and slide presentation, 1994 Slippery Rock University, Pennsylvania, "Raising Workshop," with slide presentation,1994 University of Akron, Ohio, including seminar on "making a living in the arts," for Christina DePaul, 1994 Appalachian Center For Craft, Tennessee Tech University, Smithville, for Robert Coogan Artist-In-Residence, "Surface Into Form" one-week workshop, metals, 1994 Charles A. Wustum Museum of Art, Racine, Wisconsin, 1993 YUMA Symposium , Arizona, 1993 Museum School of Art, Boston, 1993 University of Delaware, Newark, 1992 Edinboro University, Edinboro, PA, 1992 Parsons School of Design, New York City, 1990 Rhode Island School of Design, Providence,1990 Education: BFA: Metals, Carnegie Mellon University, Pittsburgh, Pennsylvania, Prof: Carol Kumata, 1984 Tyler School of Art, Foundation and Metals Program, Philadelphia, Pennsylvania, 1980-1982 Intensive Goldsmith Apprenticeship, Alexander Schaffner Goldschmied, Basel, Switzerland, 1979-980 Pennsylvania Governor's School for the Arts, Bucknell University Art, Full Scholarship Award, 1977 Affiliation: Society of North American Goldsmiths, Board Member 1995-1999 American Crafts Council, Juried Slide Registry, member since 1984 Society of American Silversmiths, Cranston, RI, Artisan member, membership since 1992 Pittsburgh Metalsmith Society, Board Member, 1993-1996, membership since 1993 Associated Artists of Pittsburgh, member since 1984