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Artmetalist information exchange
colinalexander777 -
Friday, January 30, 2009 - 10:30am
copper torch sheet heat patinas refraction light propane Heating copper Joseph Owens I was wondering why the heating process for the copper is so important. I tried flame painting on a small piece in the shape of a butterfly which I still haven't completed, but all I did was heat my piece not to a red but just heat the piece, let it cool some then begin flame painting. Thanks for any info., still loving your work!! Colin Alexander B) When you prime a sheet in the oven it will undergo the predictable colour changes over the entire sheet , to be taken out at any point when you like the colour . I cannot express to you how jewel-like and beautiful they are when they come out of the oven . Platinums , golds , silvers , dark purples , you'll see when you do it . Experiment . C) Annealing the whole sheet in the oven (2 hrs @ 350) gives a dark -grey to black shade to work with , which is perfect for shading and can be torched off back down to the original copper colour , or etched/sanded down . D) It is possible to use just a torch on unprimed copper , this is what I call a "raw" sheet . But the spectrum of colours becomes a little more limited . For Examlple : let's say you prime a sheet in the oven to a yellow gold colour , and then gently apply a soft slow heat with the torch . This will result in that area going a orange -red . So in effect , the oven pre- heat can give you more versatility , colours , and ' brushstrokes' . As you probably know annealing copper changes it's crystal microstructure , resulting in larger , chunkier , particles that when hit up with the torch , result in a more fractal , shimmering colours . Colin |
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