Ceramic Shell Casting for Jewelry

Casting | Jewelry | | |

Greetings - Has anyone here adapted ceramic shell casting to a jewelry casting environment? If so I would like to try it in lieu of investment casting. I would appreciate it if someone knowledgeable could share the formula for the ceramic slurry and the process for building up the shell/mold. I also plan on making a seperate crucible and attaching it to the shell, with the metal inside, so that I can heat and cast the unit in one process. Thank you.


B.J. Severtson's picture

Ceramic shell

Black Dahlia,
That slurry has changed over the years, it has become a colloidal silica refractory binding liquid. Check out Shellspen.com the old slurry had to be kept in motion or it would set up, a royal inconvenience. another tool to build and maintain. Best answer I can find for you. I've done both types of investing..here's where I wonder if you'll have problems..Let's say that we both get our castings, 50 sterling silver eagle pendants. I quench my invested cast flash in a bucket of water, steam clean the tree, pickle the tree, cut sprues, rubber wheel the spot, electostrip and I'm done. Are you still chiseling those eagles out of that concrete? Mine are shipped. FWIW Brad


BlackDahlia's picture

Hi B.J. and thanks for

Hi B.J. and thanks for replying,

Since I am completely unfamiliar with this process and the properties of ceramic, I wasn't aware that chipping out the casting would be necessary. My primary goal is to attempt to create a mold with the metal filled crucibe attached to the bottom, once heated to casting temperature, I would like to turn the whole unit right-side-up to facilitate the cast. This is an ancient method of bronze casting and I wanted to give it a try with modern mold making materials. From the scant information I was able to gather from a book, the method is faster than investment casting, but unfortunately calls for the use of cow or horse dung LOL...

The ingrediants include a mixture of crushed charcoal powder and potter's clay moistened with water as the first coating that goes over the wax. After that is dry, a mixture of 40% charcoal powder, 25% manure, 25% potter's clay and 10% refractory clay is built up over the piece to form the outer portion of the mold. Unfortunately the source I gathered this from says nothing about "how" the mold is removed once the casting is done, but my primary interest is in finding a modern material that can take the place of manure in this process. Any suggestions?


Fred Zweig's picture

Ashanti casting

I watched demo several years ago at the Yuma Symposium on Ashanti casting and I believe that is the process you are talking about. It was not teribly complicated and there was some failure risk and not something you would want to do for production work. I do not recall what the exact formula they used for the investment and suspect there may be an internet discussion on the process. I believe the SNAG journal had a write-up on it.

Fred Zweig
Metalsmith


B.J. Severtson's picture

Well Why didn't you just say so.

Replace the cow manure with perlite..available from most garden centers. Send us lots of pictures...also do a web search on a material called hypertufa..peat moss could also replace the dung...thinking about this some more I would use either regular investment as a slurry base coat or plaster of paris.about 1/4 inch thick then cover that with your mixture...Vent.. Brad


B.J. Severtson's picture

Ashanti casting

The book "Goldsmithing and Silver Work " by Charles Codina
under Under jewelry vessels and ornament has a nice mention of this casting technique..I'd use per-lite or vermiculite..both are minerals you are looking to replace a binder...I would want a binder and some more refractory..make sure this is bone dry before heating..bring up to temp very slowly...Not even close to ceramic shell casting..by todays technique. This is not faster than investment casting,,it is going to take days for your mold to get bone dry..I'm ready to go in a couple of hours..Brad


BlackDahlia's picture

Thanks for th e material

Thanks for th e material suggestions, and yes B.J., that is the book ;-)

...Days to dry eh? Codina didn't mention that in the book :-( Infact from the lighting in the photo, it looked as if everything had been completed the same day. Could I not dry the layers with an hour in the kiln for each? Or even with a heating gun?

And if I do proceed with the experiment, I promise to post pictures.


B.J. Severtson's picture

Thermal shock

BD
My ceramics experience tells me bone dry is the condition you want a clay body to be in before it is bisque fired..Personal experience if they are not bone dry they crack or can explode. Bad On the other hand as a kid I dug some clay from a creek made it into a spear point stuck it on a stick and heated it in a camp fire.. Got quite hard and didn't crack or explode..I'm inclined to say try the heat gun approach..Steam and hot gases are castings biggest problem area. This investment may be so very porous that the steam and gases escape through it. Bring up to temp slowly. Expect steam and smoke..I think I'd try it. FWIW Brad outside only Test fire some of the material without wax to see what it does.


B.J. Severtson's picture

on the other hand

BD
I've been thinking about this a little more. Intrigued by this method. While your at the garden center looking for per lite, vermiculite or peat moss. In the same isle right beside them are bags of sanitised "cow manure". Gardeners refer to the material as an organic soil conditioner, guess when you think of it that way people will happily put it in the back seat of their BMW. Can't explain it hmmm. So have the right side of your brain give the left side some money. Then head off to the garden center..You may just find everything you need in isle seven. Clay = kitty liter maybe
Cow manure = organic soil conditioner. The African metalsmith gathered his materials crank up the Hummer and get to gathering materials..Modern man..While you are at the garden center check out those porous looking not really
concrete looking planters...They are made of hypertuffa..check out the archive section of this site for more info on primitive casting methods..
but most of all get over it, get on with it, I expect pictures this week...While you're having all this fun you might want to check out making a flower pot charcoal foundry, give us time and we'll turn your back yard into someplace wonderful.. enjoy go for it. Brad


B.J. Severtson's picture

wear gloves

BD
I forgot the standard AM reply...WEAR GLOVES..Get a cart at the garden center..Leave the cell phone in the Hummer. Nothing messes up a good forage for materials faster than a cell phone..Pick up a bag of charcoal and some yak burger on your way home..While the left side of your modern brain makes supper the right side can be making ash...use plenty of charcoal..don't burn the burgers. Waiting for pics Brad

k


Legamin's picture

Re: Drying time

If you have a digital kiln, clay will accept heats of up to 180F for the first two hours and then can be boosted to about 300F for the next two hours. For the final drying time (and hope that you don't develop cracks here) you boost it to 550F for the last two hours.
Make sure that the clay is dry in appearance before putting it in. If you try 'steaming' it dry you will just crack up and ruin a lot of clay.
One thing that I tried was firing a thin china coating around my wax master and then coated it with silicon casting material before it dried and then fired it quickly at 1200F for about 1 hour. I had a nice china mold that took the metal quit nicely and then shattered off the final product but was easily repeated. The problem is mess, cost of materials and handling such a delicate mold without shattering it as you eith vacuum or pour the metals in. And believe me you have to pour fast while it is hot or the metal just stops flowing in the darnedest places.
I like the other suggestions on this board. I am more of a traditionalist and don't mind going out to the farm and getting the dung as it is the best material for polishing the final piece that you can get. You can't buy a finer material!

vowie


bpfink's picture

ceramic shell vs other investments

These are some very interesting and good thinking comments.
Put "ceramic shell" in the artmetal search engine and you will get to a number of older writings on it.  John Dach is one that knows much as he uses it all the time.  I have used it years past, in fact was the one doing the research while being developed for a company Nalco back in the 60's.  The newer mixes are much better though.
It definitely is a great system but has its own limits. I was using it for larger silver chalice castings so the mold itself was nearly the same temperature as the metal when it was poured.  That worked super great but required a melting furnace of much larger size (which I already had in operation) and the top of the furnace raised an inch, and then opened in a butterfly way to be able to have the crucible and the mold sitting in there side by side.
Bottom line though is the pieces were not with much surface textures that could trap the ceramic shell so it would pop off okay.  For most small stuff though that removal would become a bigger problem and may even make it time consuming and annoying. 
As for the posts here about vermiculite, perlite, peat moss, etc. (assuming you have an access to a lack of shit about... how do you do that) they all are basically fillers that give space into the molds. Some burn out and leave miniscule gaps in the mold so it can breath better, and some don't.  Another organic that works is simple fine sawdust which of course will charcoal out and do the same... and maybe stink more in the process. (Use hickory dust and eat a burger at the same time and it will not seem out of place).   In any case, I would believe the plaster based investments would be better even for production as far as both hands on involvements and waiting kiln burnout time goes.   
On the larger and more involved ceramic shell molds we had to take them out to another source that literally boiled the finished pieces in sodium hydroxide at something like 600 degrees and I'm sure OSHA has about banned all those places by now.  Far too scary for me ... and another reason to get back to plaster based where just a good power washer with water can do the same removal from difficult places. Or in the case of something that small, maybe a stiff tooth brush and running water could even handle it.
One last comment... You are not going to want to try and dry each first coat layer with much heat... fans yes but not too warm. The wax model will also distort or infiltrate the first layer and cause other problems.
One of the beauties of ceramic shell was that the whole mold could be burned out in minutes at very high shock heats. This meant the the colder wax body inside started to melt on the investment contact edges before the interior wax had time to expand and crack the mold which would result in flashing and less quality casting.
Good luck and looking forward to your decisions and results. bpfink

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